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I'm maybe not the biggest collector, but I am persistent. Joining this forum in 1997, I was overjoyed to find some links to import CDs with Sergio Mendes and his various groups and to add much to my CD collection. But I was also dismayed that several posters talked of a box set, SERIE GRANDES NOMES, which apparently came and went back in 1995. I was never able to find it anywhere for sale, and it was barely mentioned anywhere. Nearly two decades of searching is finally about to pay off as today I found that box set listed on eBay. And it's still sealed to boot! I was always prepared, if I ever found that set, to cough up around $100 or so, but this, even with shipping was less than that, so I think I did OK.

Looking forward to its arrival. Im not the biggest fan either but im happy to say since age 14 ive been a fan of Brasil 66 i have no vinyl anymore. But i have all the Brasil 66 Cds including greatest hits. Foursider and Classics A few needledrop cds of brasil77 and proper Cds except Primal roots and vintage 74. Free Driver Update Software Download.

And i have one brasil 88 cd 'magic lady' on a cd two fer with his Elektra self titled cd along with both brasil 65 releases on capitol and atlantic the capitol cd also has a Wanda de sah solo album as a two fer the atlantic is a 3 fer with live at el matador paired with ' Pele' and ' Favorite things' all the atlantic instrumental jazz cd reissues and needledrops of all his 80s albums except arara. Then brasilero and oceano cds and the cds from Timeless to Bom tempo. And after that i decided his modern stuff just wasnt as good as his older music. ( (I'm Sorry Sergio with all due respect) I would like to see him do some more jazz instrumentals these days i really enjoyed those he did pre A&M. But nevertheless im happy i have what i have. Click to expand.I have that set. Download Free Financial Accounting Made Simple Pdf Download. I remember being giddy with excitement when I first heard about it -- I figured, with that many disks, it was BOUND to have most or all of the Sergio tracks I'd longed to get on CD.

(I forget where I ordered it, but the website didn't list the tracks so I just went on faith.) And indeed it did have most of them, although one of my biggest favorites, 'Sometimes in Winter,' was missing. Still, it's a really nice set, has a lot of good pictures too.

I've found it covers pretty much my whole need for pre-A&M Sergio. I do wish there was a translation of the Japanese text though! After that set, the next Sergio 'holy grail' was that British 'Very Best of Sergio Mendes & Brasil '66' set, which contained the vast majority of the music. For quite a while I was pretty sure that would be the extent of Brasil '66 to ever get released on CD, but then awhile later the Japanese saved the day again with reissues of just about all the albums. My favorite Sergio items are my 'LP replica' issues of many of the albums, especially Primal Roots and Stillness. I still remember a dozen or so years ago when we had a huge run on Dusty Groove when those Japan Brasil '66 CDs were released.

With that and other A&M rarities coming from Japan, Dusty Groove was like the Holy Land for some of us. They carry a lot of out-of-the-way stuff, even on LP, records you won't find outside of Brazil or Latin America, rare US funk and soul, blues, you name it. The cool thing is, when they had albums listed on their site, they gave a little synopsis of each title, and you could tell whoever ran the store was a musical fanatic. If I get time the day before AXPONA I am making a point to pay them a visit. I'm arriving the day before the show, hopefully by noon, so that will give me a few hours to hit a couple of stores, have dinner, and maybe visit another afterward. I'm told by my buddy in Chicago that I'll enjoy the store. That box set arrived a couple of weeks ago, and true to its ad, was still sealed.

However, the glue that held the plastic disc holders to the front and back inside covers had dried up and those plastic trays were totally loose when I opened the set. Temporarily, I've used some double-sided tape to keep them from flying all over the place. Our old friend Paula had made copies of Discs Two and Three for me, so I already knew how the set sounded. Disc One contains most of the pre-66 stuff, and the fourth disc has the latter-day stuff from A&M and Elektra.

By HOAG LEVINS Of The Inquirer Staff​ In a rare moment Sunday night, the Academy of Music became a temporary foot bridge across the generation gap as young and old found common ground in an area where they are usually farthest apart: music. It was a full house, containing as many starched collars as it did bellbottoms, that greeted Sergio Mendes and his Brasil '66 group on their third Phila- delphia appearance in as many years. And it was nothing but smiles and mutual delight for all ages who found themselves swaying or tapping along to the jazz-cum-Latin arrange- ments with catchy rhythms, but gentle impact. ALPERT PROTEGE Mendes, who came to fame in 1966 as a protege of Herb Alpert has come into his own right as a star and each number during Sunday's hour-long show was greeted with thundering applause. His music has a strange haunting quality that defies placement in a category. It is an unusual blending of classical, bossa nova and jazz bags Mendes has been in and out of during his years on musical travel from South America to the top of the American musical heap. STRUCTURE DRAMATIC The diminutive Brazilian car- ries a heavy load on stage with only an electric bass and two drummers to back up his piano work.