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In lieu of an abstract, here is a brief excerpt of the content: The pieces incorporate themes of nature and of the cycles of change, relying for their richness on the improvisational interplay of the musicians. The sound sources used range from traditionalJapanese instruments to MIDI keyboards, digital sampling and toy instruments. At the core of the nine tracks on Suspended in Amber is a deep stillness, a fluid line holding the pieces together even as their sonic intensity and dissonance threaten to overpower the listener. This is not “new age”or “ambient”music-it is, in fact, quitejarring at times-but it nevertheless evokes a sense of something eternal beneath cacophonous change. Peebles creates an ethereal, mystical atmosphere, evoking a world of drifting images. She derives inspiration in part fromJapanese folk themes (the track “Blue Moon Spirit” is titled after a painting based on a tale in which two blue “moons”represent the spirits of a woman and her lover) and from the sounds of her own North American environment (“theocean,”she writes about the track “Tomot?[revolving life],” “finds its parallel here in the Great Lakes [of North America]. Impermanence, infinity, the intangible, transition in time and space-all are embodied in the lingering tone of a bell”).